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Mono mixing logic pro x free.The Power of Working in Mono - Blog | Splice
Define the mono output for a channel strip - Mono mixing logic pro x free
Even when played in stereo in many situations it helps if the mix is mono compatible. A mono-compatible mix also means more energy, more punch. IMO it's not about sounding good, it's about sounding compatible. Meaning if the balance of the instruments completely changes when you switch to mono, then the mix is not mono-compatible: for example if you have a dance music track with a great solid deep bass synth and a punchy and boomy kick when listened in stereo, but the bass is thin and weak while the kick stays punchy and boomy when switching to mono, your mix is not mono compatible.
I'd rather have both the bass and the kick drum sound weaker by an equal amount so their balance is respected. My point about "why bother" is that if your music isn't going to reach the outside world -- such that it would get played in the situations you described -- then there's not much point IMO in worrying about mono.
What I didn't voice is that there are much more constructive ways to spend your time if your music isn't going to go out into the world as you mentioned. In fact, most of the engineers I work with these days don't do a mono check though "back in the day" they used to all the time. It was compulsory in most situations.
Speaking of back in the day, when I'd be in a mix session and the engineer was bouncing back and forth between stereo and mono, we'd often make adjustments to the stereo mix to compensate for what happens when things go to mono.
So yes, we'd have a great sounding stereo mix, but it would be "compromised" slightly for sake of mono compatibility: reverb levels would be tweaked, instruments would be panned slightly differently, kick and bass levels would be adjusted, etc. There were indeed times when there was nothing you could do about certain instruments sounding crappy when put into mono. And perhaps, just perhaps, the reason that engineers don't check mono compatibility these days is because stereo is much more prevalent.
Now, my alarm clock radio isn't stereo I know, I'm behind the times but everything else in my house is, even of course my laptop. Certainly you're right about mono being more prevalent back in the day that today, but still, it's here how many times have you had someone play something for you on their iPhone?
So anything out of phase will end up being weakened a lot. Two speaker membranes pumping air in sync mono are stronger than when one pumps while the other goes away out of phase. I believe that most of the engineers you work with don't do a mono check because they have enough experience and know exactly what they're doing and they know they haven't done anything stupid which is going to make the mix not-mono-compatible, such as using a stereo spreader on a bass synth or mixing snare top and snare bottom mics without checking their phases.
Also because they can use their ears to detect anything that's out of phase. It seems like David and Ski are having 'Mono compatible issues' because the responses they have provided are out of phase with each other. I can't hear what I think about who I agree with, because my left channel agrees with Ski and my right channel agrees with David, and they have cancelled each other out.
So in essence, if the two quotes were to be switched to a mono quote, it would look something like this Gee, it IS frustrating, isn't it? Well, one problem, when working with various sample libraries, is that care wasn't taken to ensure that the samples are mono compatible. The example of the piano I mentioned above is a perfect example of this.
Another is simply that summing left and right signals from reverb will sometimes reveal that the two sides cancel or reinforce in strange ways. Any kind of stereo phase shifter or flanger effect, where one side goes up and the other goes down will lose its trippy qualities. Ping-pong delays will usually end up being too loud when they're put up the center along with the dry signal.
Warning: This process is known as Zalgo-ing text. Zalgo is not a term you particularly want to search for in Google images. In my experience, the only places that have stereo PAs are bars where the owners are clueless about their sound system. You can appreciate how annoying it would be if you were in one place of the club and were missing whatever was in the other channel.
The only place I've gigged that had a stereo PA was an independent cinema, for obvious reasons. But I've only ever gigged in modest venues. The bigger the venue the more it makes sense to run the P. Stereo was designed for a listener positioned at equal distance of both the left and right speakers. In a club, those listeners are a minority. By velanche , 3 hours ago in Logic Pro. By jeremyqwerty , October 28 in Logic Pro. By aldude , 1 hour ago in Logic Pro.
By kenrob , 1 hour ago in Logic Pro. Start new topic. Prev 1 2 Next Page 1 of 2. Recommended Posts. Posted August 18, Link to comment Share on other sites More sharing options Try mixing it in mono. Change the output of those track to mono. That may fool you into thinking that your frequencies are not clashing, when in fact they are. When you have a mix that sounds great in mono, making it stereo is going to make it awesome.
More and more samples and synth presets are now stereo enhanced because it sounds cool and makes them stand out. Sometimes however they are too stereo enhanced, which causes phase cancellation. Phase cancellation happens when left and right channels have waveforms going into opposite directions. Mixing in mono allows you to spot these issues. This is especially important on main drum hits kick, snare and bass.
Imagine an huge supersaw completely mono. Mixing in mono can feel weird, especially when mixing genres that use stereo a lot. Because of phase cancellation, some sounds may appear quieter than they actually are when you mix in mono. This is completely normal - many commercial mixes have a different volume balance in mono than in stereo. Even though mono compatibility is important, I would argue that stereo is more important than mono.
Headphones, laptop speakers, hi-fi systems and car speakers are all commonly used stereo systems.
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